PR Audio
01-04-2009, 12:28 AM
Solved the problem with my amp, there were two resistors out of tolerance. Instead of 470K, they were putting out 500K. Replaced them checked everything else and done. Just in case adjusted the pin sockets, and cleaned the amp, though it was very clean.
While repairing the amp, we decided to hear the recently installed EL84-STR's in another equipment. We plugged them to a Magnavox 15WPC amp with Paraphase circuitry (excellent sounding unit), Conrad Johnson PR-2 Pre, for CD's we used an Acurus ACD-11, and for LP's we used a 1950's Rek-O-Kut with rim drive, 70's S Tonearm (mfg unknown), and Moving Coil cartridge (forgot mfg). Speakers were a pair of Klipsch KG-4.
We played various tracks from Bob Marley, Eric Clapton, Jarabe de Palo, but I especially enjoyed Moonlight Serenade (Ray Brown & Almeida) on CD.
First we played using EH EL84's, nothing espectacular, actually pretty bad. After that we used EL84-M's, a huge improvement, very open soundstage, airy, good mids, nice controlled bass. Then changed to TAD EL84-STR, what a difference, soundstage expanded to the sides and deep. The STR is extremely musical, detailed, with an extended and controled bass. The bass is something you have to hear, such an improvement without being muddy or boomy. And what about details, you hear the musicians efforts while playing their instruments, the singers "gasping" for air, the pianist taping the piano pedals. I noticed things that I have never noticed. For example, the soundstage was so good that in some of Sergio Mendez batucadas when they whistled the sound from the whistle was coming straight from the side of us, almost 90 deg. from our seating position, and we were some 5 ft. away from the speakers. The speakers totally dissapeared. We also tested the Heathkit SA-2 integrate amp with similar results; I found the CJ PR-2 and Magnavox combo to be a better performer, but not by much. The Heathkit was more laid back.
You have to hear it, and come to your own conclussions, but personally and my cousin's opinion is that the STR's are excellent. Great for the price, and very well built.
While repairing the amp, we decided to hear the recently installed EL84-STR's in another equipment. We plugged them to a Magnavox 15WPC amp with Paraphase circuitry (excellent sounding unit), Conrad Johnson PR-2 Pre, for CD's we used an Acurus ACD-11, and for LP's we used a 1950's Rek-O-Kut with rim drive, 70's S Tonearm (mfg unknown), and Moving Coil cartridge (forgot mfg). Speakers were a pair of Klipsch KG-4.
We played various tracks from Bob Marley, Eric Clapton, Jarabe de Palo, but I especially enjoyed Moonlight Serenade (Ray Brown & Almeida) on CD.
First we played using EH EL84's, nothing espectacular, actually pretty bad. After that we used EL84-M's, a huge improvement, very open soundstage, airy, good mids, nice controlled bass. Then changed to TAD EL84-STR, what a difference, soundstage expanded to the sides and deep. The STR is extremely musical, detailed, with an extended and controled bass. The bass is something you have to hear, such an improvement without being muddy or boomy. And what about details, you hear the musicians efforts while playing their instruments, the singers "gasping" for air, the pianist taping the piano pedals. I noticed things that I have never noticed. For example, the soundstage was so good that in some of Sergio Mendez batucadas when they whistled the sound from the whistle was coming straight from the side of us, almost 90 deg. from our seating position, and we were some 5 ft. away from the speakers. The speakers totally dissapeared. We also tested the Heathkit SA-2 integrate amp with similar results; I found the CJ PR-2 and Magnavox combo to be a better performer, but not by much. The Heathkit was more laid back.
You have to hear it, and come to your own conclussions, but personally and my cousin's opinion is that the STR's are excellent. Great for the price, and very well built.