canuckaudiog
On a quest for high fidelity
All right guys, here is my comprehensive review of the Musical Paradise MP501.
I've had the amplifier now for a couple of weeks, and have spent long hours listening to it and I feel I am now prepared to write up a proper review of this amplifier. Before I begin, let's start out with what gear I am using with the amplifier:
Loudspeakers: IMF RSPM Mk IV
Source: Philips CD-160 and Windows 7 Netbook connected to a Musical Paradise MP-D1
Amplifier: Musical Paradise MP501
I decided to buy the MP501 about a month and a bit ago when Garry brought one over to try out in my system. At the time I didn't have the money nor was I sure if I wanted one, but Garry said he'd be willing to try it out anyways. I'm glad he did, in that short 30 minute listening session I had decided to buy one most definitely. Being very happy with my MP301 MK3, I knew I didn't want to change gears. I just needed more power, and heck if I could get a sonic upgrade at the same time why not? After hearing the MP501, I knew this was the way to go.
A couple of weeks go by, and I managed to sell off some extra gear and get the cash for the MP501. I hadn't planned on getting it so early, but sometimes it just works out that way. At this point, the local audio gathering organized by Jac of Revival Audio is coming up and I tell Garry that I am ready to buy one. He tells me he will have one ready for me at the show. The show comes and goes, and I go home with an MP501.
The first thing I want to say about the MP501 is its sheer size and weight. The website is very deceiving, this sucker is big. Not only that it weighs 29kg, which is about 65 pounds. It's heavy enough that I got my wife to help me move the amplifier to position properly in my listening set-up, which ultimately I ended up using a spare shelf from my audio stand and just putting it on the floor. I've always wanted to do that anyways, and it gives it better ventilation. Anyway, so after some grunt work the amplifier is in place and ready to go. I hook up my source, the Musical Paradise MP-D1 with the PC and Philips CD-160, plug in my speakers and fire it up.
Having a bit of experience with the sound of the amplifier before, it didn't surprise me what came out. But, now I can play with it and try out more types of music and see how it really performs in every aspect.
Over the last two weeks, I've thrown at it just about every style of music I listen to. Blues, jazz, big band jazz, orchestra, classical, pop, dance, rock and roll, hard rock, metal, disco, reggae, alternative rock, punk, etc. Here's what I found with some music in particular that I made note of:
One of my favourite artists to listen to for sheer detail and dynamics is the Doobie Brothers. What A Fool Believes is really enjoyable to listen to on tubes due to the lovely airiness, transience and dynamics it has in the song. On the MP501 it sounded exactly as I remembered it, but with more accuracy, a huge sound stage, tons of detail, and ultimately it was extremely musical. I found myself tapping my foot without even realizing it and getting lost right into the song. The bass is full, notes sound juicy with excellent attack, pacing and rhythm. Everything came together and balanced beautifully. Vocals were quite natural sounding with good timbre and I found overall the entire presentation was excellent.
Another of my favourite artists to listen to, in this case because I've listened to them so many times on different set-ups, is Diana Krall. Probably my favourite album of hers would have to be A Night In Paris. It's well recorded and the performance is really passionate. There was no exception here in the performance, it came through beautifully and true to its being. The sound stage was quite large, instruments sounded very natural and you could really feel the pluck in every string and every note. I could feel when the player was plucking the string harder or softer, it was very evident and you could feel it. Diana's voice came through clear and sounded full. The whole performance was impeccable, I haven't found myself visualizing a performance as well as I did when I listened to it with the MP501. One song in particular, The Look of Love had me jamming in my chair to the beat and really getting into the percussion. I completely forgot I was listening to a stereo and found myself listening to it like it was live in front of me, not a reproduction of this performance. Wow I thought to myself, I've never been able to come that close to a live recording before.
Next, I have a McIntosh reference test CD that was given to my in my electronics sales days. I've kept it because I've used it so many times to demonstrate systems and I'm very familiar with how it sounds. Not only that, there are a ton of great recordings on it that can really show off the bottom end of a system if it's capable of it. Unfortunately I don't have any details like which recording is which. The track I use all the time is track number 8, which is a recording which has a lovely saxophone lead in it, as well as an excellent string section. It doesn't have lots of bottom end, but it's very good for showing off the midrange. With the MP501, strings sounded very emotional and clear. Like the Diana Krall experience, I found myself again being lost into the recording and imagining myself being there listening to it live. The saxophone was very full and fat, with again very good timbre. This saxophone sounds exactly like a saxophone should i thought to myself while listening to it. I've had the pleasure of playing in bands in high school, and I'm pretty familiar with how instruments should sound as I have heard them live. In this case, I could not detect any flaw in how any of the instruments sounded. They were as natural as could be, and you could really feel the amount of passion and energy in the person playing them.
Having played a lot of natural music, I decided it was time for a change in gears and go for something a little bit of a guilty pleasure for me. I popped in my Donna Summer 20th Millenium Collection CD, and played McArthur Park. This track is full of emotion, albeit a little shallow in a lyrical sense. The song is very dynamic and can really show the performance of tube amplifiers with great airy qualities. Not only that, the timing and pace of the song is also very important to how you connect to it. Well, I am again astonished at the performance of the MP501. The bass rhythm is really groovy, pulling you into the song with ease, and there's excellent attack and slam in the bass drum. It isn't overbearing, loose or overpowering, it's well balanced and sounds like it belongs in the song. The pace is kept well and the amplifier doesn't sound too quick or too slow, just right. The presentation is rich, delicate and musical. Unfortunately the vocals didn't come through as well as I would have liked, but then again the vocals are overmixed (in my opinion) on most of Donna Summer's tracks.
Overall, the musical character of the MP501 is uplifting, light, transparent, airy, accurate and full bodied. Its oversized output transformers really do the power it has justice because you get more slam with the MP501 over the MP301 MK3. If I had to really equate the two, I would say the MP501 is the MP301 all grown up. It has all the great qualities of the MP301, then takes them and puts them on steroids.
Another thing worth mentioning is that the IMF speakers that I have are very picky about their source. They are extremely transparent transducers and reveal the flaws in anything hooked up to it. I've tried a few different receivers and amplifiers hooked up to them and so far the MP501 is by far the best of them all. It matches extremely well, the two units are very transparent and allow the recordings to come through in their truest sense. For me that is what I am after because I like to hear recordings as though they are being played live in front of me, and with the MP501 I have been able to achieve that. Never before have I been able to get lost right into the recording right to the point where I actually forget I am listening to a set of speakers hooked up to an amplifier. No, this is music, just pure music the way it should be!
Also, I should also mention that I did end up swapping out the stock Shuguang 6J8P driver tubes with some NOS RCA 6SJ7's. The Shuguang's sounded pretty good, but the RCA 6SJ7's opened up the amplifier even more and added another level of detail to the amplifier. So if you are thinking about buying an MP501, I would think about changing out the driver tubes as well as you will get another boost in its fidelity quality. It already has the KT120 tubes which are only made by one person, so those are the best they can be and quite frankly the KT120's are solid power tubes to begin with. Audio Research's Reference 150 tube amplifier uses them if that says anything (and that's a $15k amp!).
In summary, the MP501 is worth every single penny. It's not often you get to find such a great piece of gear that's so well made and sounds this good. Especially the fact that it uses the KT120 tube, which is a favourite among many tube enthusiasts, and the MP501 is designed here in Canada. It just doesn't get much better then that. If you're happy with the MP301 and you want to take it to the next level, you will jump a couple of levels with the MP501. If you're just looking for an excellent tube amplifier that brings you nothing but enjoyment, the MP501 will fit the bill. The MP501 has been an excellent addition to my stereo and it will not be going anywhere anytime soon.
If you have any questions, please feel free to ask!
I've had the amplifier now for a couple of weeks, and have spent long hours listening to it and I feel I am now prepared to write up a proper review of this amplifier. Before I begin, let's start out with what gear I am using with the amplifier:
Loudspeakers: IMF RSPM Mk IV
Source: Philips CD-160 and Windows 7 Netbook connected to a Musical Paradise MP-D1
Amplifier: Musical Paradise MP501
I decided to buy the MP501 about a month and a bit ago when Garry brought one over to try out in my system. At the time I didn't have the money nor was I sure if I wanted one, but Garry said he'd be willing to try it out anyways. I'm glad he did, in that short 30 minute listening session I had decided to buy one most definitely. Being very happy with my MP301 MK3, I knew I didn't want to change gears. I just needed more power, and heck if I could get a sonic upgrade at the same time why not? After hearing the MP501, I knew this was the way to go.
A couple of weeks go by, and I managed to sell off some extra gear and get the cash for the MP501. I hadn't planned on getting it so early, but sometimes it just works out that way. At this point, the local audio gathering organized by Jac of Revival Audio is coming up and I tell Garry that I am ready to buy one. He tells me he will have one ready for me at the show. The show comes and goes, and I go home with an MP501.
The first thing I want to say about the MP501 is its sheer size and weight. The website is very deceiving, this sucker is big. Not only that it weighs 29kg, which is about 65 pounds. It's heavy enough that I got my wife to help me move the amplifier to position properly in my listening set-up, which ultimately I ended up using a spare shelf from my audio stand and just putting it on the floor. I've always wanted to do that anyways, and it gives it better ventilation. Anyway, so after some grunt work the amplifier is in place and ready to go. I hook up my source, the Musical Paradise MP-D1 with the PC and Philips CD-160, plug in my speakers and fire it up.
Having a bit of experience with the sound of the amplifier before, it didn't surprise me what came out. But, now I can play with it and try out more types of music and see how it really performs in every aspect.
Over the last two weeks, I've thrown at it just about every style of music I listen to. Blues, jazz, big band jazz, orchestra, classical, pop, dance, rock and roll, hard rock, metal, disco, reggae, alternative rock, punk, etc. Here's what I found with some music in particular that I made note of:
One of my favourite artists to listen to for sheer detail and dynamics is the Doobie Brothers. What A Fool Believes is really enjoyable to listen to on tubes due to the lovely airiness, transience and dynamics it has in the song. On the MP501 it sounded exactly as I remembered it, but with more accuracy, a huge sound stage, tons of detail, and ultimately it was extremely musical. I found myself tapping my foot without even realizing it and getting lost right into the song. The bass is full, notes sound juicy with excellent attack, pacing and rhythm. Everything came together and balanced beautifully. Vocals were quite natural sounding with good timbre and I found overall the entire presentation was excellent.
Another of my favourite artists to listen to, in this case because I've listened to them so many times on different set-ups, is Diana Krall. Probably my favourite album of hers would have to be A Night In Paris. It's well recorded and the performance is really passionate. There was no exception here in the performance, it came through beautifully and true to its being. The sound stage was quite large, instruments sounded very natural and you could really feel the pluck in every string and every note. I could feel when the player was plucking the string harder or softer, it was very evident and you could feel it. Diana's voice came through clear and sounded full. The whole performance was impeccable, I haven't found myself visualizing a performance as well as I did when I listened to it with the MP501. One song in particular, The Look of Love had me jamming in my chair to the beat and really getting into the percussion. I completely forgot I was listening to a stereo and found myself listening to it like it was live in front of me, not a reproduction of this performance. Wow I thought to myself, I've never been able to come that close to a live recording before.
Next, I have a McIntosh reference test CD that was given to my in my electronics sales days. I've kept it because I've used it so many times to demonstrate systems and I'm very familiar with how it sounds. Not only that, there are a ton of great recordings on it that can really show off the bottom end of a system if it's capable of it. Unfortunately I don't have any details like which recording is which. The track I use all the time is track number 8, which is a recording which has a lovely saxophone lead in it, as well as an excellent string section. It doesn't have lots of bottom end, but it's very good for showing off the midrange. With the MP501, strings sounded very emotional and clear. Like the Diana Krall experience, I found myself again being lost into the recording and imagining myself being there listening to it live. The saxophone was very full and fat, with again very good timbre. This saxophone sounds exactly like a saxophone should i thought to myself while listening to it. I've had the pleasure of playing in bands in high school, and I'm pretty familiar with how instruments should sound as I have heard them live. In this case, I could not detect any flaw in how any of the instruments sounded. They were as natural as could be, and you could really feel the amount of passion and energy in the person playing them.
Having played a lot of natural music, I decided it was time for a change in gears and go for something a little bit of a guilty pleasure for me. I popped in my Donna Summer 20th Millenium Collection CD, and played McArthur Park. This track is full of emotion, albeit a little shallow in a lyrical sense. The song is very dynamic and can really show the performance of tube amplifiers with great airy qualities. Not only that, the timing and pace of the song is also very important to how you connect to it. Well, I am again astonished at the performance of the MP501. The bass rhythm is really groovy, pulling you into the song with ease, and there's excellent attack and slam in the bass drum. It isn't overbearing, loose or overpowering, it's well balanced and sounds like it belongs in the song. The pace is kept well and the amplifier doesn't sound too quick or too slow, just right. The presentation is rich, delicate and musical. Unfortunately the vocals didn't come through as well as I would have liked, but then again the vocals are overmixed (in my opinion) on most of Donna Summer's tracks.
Overall, the musical character of the MP501 is uplifting, light, transparent, airy, accurate and full bodied. Its oversized output transformers really do the power it has justice because you get more slam with the MP501 over the MP301 MK3. If I had to really equate the two, I would say the MP501 is the MP301 all grown up. It has all the great qualities of the MP301, then takes them and puts them on steroids.
Another thing worth mentioning is that the IMF speakers that I have are very picky about their source. They are extremely transparent transducers and reveal the flaws in anything hooked up to it. I've tried a few different receivers and amplifiers hooked up to them and so far the MP501 is by far the best of them all. It matches extremely well, the two units are very transparent and allow the recordings to come through in their truest sense. For me that is what I am after because I like to hear recordings as though they are being played live in front of me, and with the MP501 I have been able to achieve that. Never before have I been able to get lost right into the recording right to the point where I actually forget I am listening to a set of speakers hooked up to an amplifier. No, this is music, just pure music the way it should be!
Also, I should also mention that I did end up swapping out the stock Shuguang 6J8P driver tubes with some NOS RCA 6SJ7's. The Shuguang's sounded pretty good, but the RCA 6SJ7's opened up the amplifier even more and added another level of detail to the amplifier. So if you are thinking about buying an MP501, I would think about changing out the driver tubes as well as you will get another boost in its fidelity quality. It already has the KT120 tubes which are only made by one person, so those are the best they can be and quite frankly the KT120's are solid power tubes to begin with. Audio Research's Reference 150 tube amplifier uses them if that says anything (and that's a $15k amp!).
In summary, the MP501 is worth every single penny. It's not often you get to find such a great piece of gear that's so well made and sounds this good. Especially the fact that it uses the KT120 tube, which is a favourite among many tube enthusiasts, and the MP501 is designed here in Canada. It just doesn't get much better then that. If you're happy with the MP301 and you want to take it to the next level, you will jump a couple of levels with the MP501. If you're just looking for an excellent tube amplifier that brings you nothing but enjoyment, the MP501 will fit the bill. The MP501 has been an excellent addition to my stereo and it will not be going anywhere anytime soon.
If you have any questions, please feel free to ask!