Regarding the "acoustic suspension test" - GDM, it seems that you can test your theory by comparing how fast the cone returns when out of the cabinet (the ultimate "leaky" environment"), vs installed a sealed cabinet. I've found that it snaps back quite quickly in open air, and slower when installed in a sealed cabinet. Easy to try it yourself.
I've never thought about it carefully, instead accepting the conclusions of known experts, but it makes sense to me that the higher speed of return in open air will reflect only the elasticity of the surrround, whereas the speed in a sealed cabinet reflects the more controlled effect of air pressure normalization. Regardless, it does seem clear that without the control provided by differential air pressure (which in turn requires fairly tight seal between the air in the cabinet and the outside air), the cone moves back more quickly.
On a related note, for the OP...I don't know the current state of the art, but Vilchur's patent explains quite succinctly why a very small amount of leakage is required for optimal performance. Perhaps this has since been disproven, but in any case I do know that the acoustic suspension effect is not simply on or off. Rather, it is variable with the amount of leakage. That's why re-sealing the old cloth surrounds that have become porous over time due to dried out sealant provides SOME improvement in bass response. Even when porous, they still provide some amount of seal, and therefore some amount of control via the acoustic suspension mechanism.