This story started out on Bigerik's Exposure 3010S2 thread. To keep from thread jacking I started this one to talk about the Primare I32 integrated amp with the optional DAC card installed. I went to a local dealer called Aris Audio to go listen to the Exposure 2010S2 and 3010S2 integrated amps. I ended up coming home with a demo unit Primare to try out over the weekend. I wanted to see how it compared to my SX-1080 which is 35 years old but has been serviced and brought back to factory spec. Also to compare the internal DAC on the I32 to a USB upgraded and Uber'd Schiit Bifrost.
First impression of the I32 is that it is a very fast amplifier. The bass is very tight and fast and it has no problems controlling the woofers. It's sound character leans a little to the bright side from neutral. Also the soundstage moves a little closer to the listener than what I am used to. I changed the USB cable out from a pure silver Pangea to a silver plated copper Pangea to help tame the brightness. I wish I had a better copper USB cable laying at this time. This is a Class D amplifier and even being powered on for a couple of days it is only a little warm to the touch. It has no external heat sinks or vents. Primare says on their site that they are trying produce more environmentally friendlier products.
After listening awhile to several different songs I think the internal DAC on the I32 is really good and better than a stock Bifrost. But the upgraded Bifrost is better than the internal DAC by a small margin. From the O Brother, Where Art Though soundtrack's "Down to the River to Pray" by Alison Krauss the difference between the two DACs were that Alison sounded a little more like Alison moved a couple of steps more forward of the backing choir on the internal DAC over the Bifrost. On Albert King and Stevie Ray Vaughan's In Session album, "Pride and Joy" the soundstage collapsed inward compared to the Bifrost. On Diana Krall's From this Moment On album the internal DAC lacked that last bit of shimmer and resolution on the piano strings, high hats and cymbals that the upgraded Bifrost can pull off. Vocals resolution between the two DAC's is about the same. Separation of the Players and instruments is also pretty close between the two DACs.
I really like this amp but I think its overall sound presentation is a little tilted up when paired with my PM1's. I tend to like a sound character that's a little to warm side of neutral. I wish I had another set of high quality speakers that tend to be a little warmer in character to do more evaluating with. The real test will be a few days after I take it back to the dealer on Monday and see if I miss it. I know one thing I will miss will be the remote control. I am spoiled by remote controls and not having to get up out the chair to adjust things. :yes:
First impression of the I32 is that it is a very fast amplifier. The bass is very tight and fast and it has no problems controlling the woofers. It's sound character leans a little to the bright side from neutral. Also the soundstage moves a little closer to the listener than what I am used to. I changed the USB cable out from a pure silver Pangea to a silver plated copper Pangea to help tame the brightness. I wish I had a better copper USB cable laying at this time. This is a Class D amplifier and even being powered on for a couple of days it is only a little warm to the touch. It has no external heat sinks or vents. Primare says on their site that they are trying produce more environmentally friendlier products.
After listening awhile to several different songs I think the internal DAC on the I32 is really good and better than a stock Bifrost. But the upgraded Bifrost is better than the internal DAC by a small margin. From the O Brother, Where Art Though soundtrack's "Down to the River to Pray" by Alison Krauss the difference between the two DACs were that Alison sounded a little more like Alison moved a couple of steps more forward of the backing choir on the internal DAC over the Bifrost. On Albert King and Stevie Ray Vaughan's In Session album, "Pride and Joy" the soundstage collapsed inward compared to the Bifrost. On Diana Krall's From this Moment On album the internal DAC lacked that last bit of shimmer and resolution on the piano strings, high hats and cymbals that the upgraded Bifrost can pull off. Vocals resolution between the two DAC's is about the same. Separation of the Players and instruments is also pretty close between the two DACs.
I really like this amp but I think its overall sound presentation is a little tilted up when paired with my PM1's. I tend to like a sound character that's a little to warm side of neutral. I wish I had another set of high quality speakers that tend to be a little warmer in character to do more evaluating with. The real test will be a few days after I take it back to the dealer on Monday and see if I miss it. I know one thing I will miss will be the remote control. I am spoiled by remote controls and not having to get up out the chair to adjust things. :yes: