Congrats on your RF-7III.
I prefer tube amps with my RF-7II.
My basement 4.2 system can deliver a near-live-classical-concert-experience. Front, center, and left speakers are Klipsch RF-7 II. A single rear speaker is a Klipsch RF-7. Subwoofers: SVS SB16-Ultra, Klipsch R-115SW. These four tower speakers plus two subwoofers provide plenty of acoustical power in this average size listening room. (I sit approximately 10 feet from the speakers.) Collectively, they total four 1 ¾” titanium compression drivers mated to Tractrix horns, eight 10” woofers, one 15” powered subwoofer, and one 16” powered subwoofer.
Source: Oppo UDP-205. The Oppo UDP-205 provides "bass management" - i.e., a built-in crossover, and a connection for a powered subwoofer. With Oppo's bass management, the low frequencies are off-loaded from the main amp and speakers, thereby facilitating greater overall dynamics.
Here's the tube amps that I have in this system: Scott 272 (EL34), Inspire “Fire Bottle” SE Stereo Tube Amplifier HO (single-ended-pentode (SEP) power amp currently equipped with 6L6GC), Scott 222C (7189), McIntosh MX110Z tuner/preamp, Fisher KX-200 (7591), Scott 296 (6L6GC), Pilot SA-260 (EL34), Scott LK150 (KT88). A patch panel allows me to connect the speakers to whichever amp(s) I want, and F/F RCA cables enable me to connect an amp to the Oppo, and a power amp to the MX110Z (if I choose to have a pre-amp in the audio chain).
I love classical music, which involves natural instruments performing together live in their intended venue (i.e., symphony hall or opera house). IME, the RF-7II are capable of reproducing this natural sound, when driven by the right tube amps. I experience no listener fatigue when using the right tube amps with my RF-7II. (IME, RF-7II can sound harsh with solid-state amps, and can sound bright with KT88 tube amps.) Recently I’ve been watching/listening to surround-sound Blu-ray video recordings of classical concerts, and I find that RF-7II and two stereo tube amps (one for L&R, one for center and single rear) provide excellent audio quality.
I have no room for La Scala or Belles or Klipschorn or Jubilee – so I use tower speakers in all of my systems. I wish I could hear the RF-7III driven by tube amps, playing hi-res recordings (SACD, Blu-ray, Pure Audio Blu-ray, 24bit/192kHz FLAC) of classical music. What I’m waiting/hoping for is that Klipsch will introduce a new tower speaker positioned above the RF-7III, in light of the fact that they discontinued the Palladium. (I own Palladium P-37F paired with the matching P-312W Subwoofer – also mated with a variety of tube amps.)
For those who think that the RF-7II or RF-7III sound harsh or bright, my advice is to listen to modern high-quality hi-res recordings, and use a 6L6GC or 7591 tube amp.
I prefer tube amps with my RF-7II.
My basement 4.2 system can deliver a near-live-classical-concert-experience. Front, center, and left speakers are Klipsch RF-7 II. A single rear speaker is a Klipsch RF-7. Subwoofers: SVS SB16-Ultra, Klipsch R-115SW. These four tower speakers plus two subwoofers provide plenty of acoustical power in this average size listening room. (I sit approximately 10 feet from the speakers.) Collectively, they total four 1 ¾” titanium compression drivers mated to Tractrix horns, eight 10” woofers, one 15” powered subwoofer, and one 16” powered subwoofer.
Source: Oppo UDP-205. The Oppo UDP-205 provides "bass management" - i.e., a built-in crossover, and a connection for a powered subwoofer. With Oppo's bass management, the low frequencies are off-loaded from the main amp and speakers, thereby facilitating greater overall dynamics.
Here's the tube amps that I have in this system: Scott 272 (EL34), Inspire “Fire Bottle” SE Stereo Tube Amplifier HO (single-ended-pentode (SEP) power amp currently equipped with 6L6GC), Scott 222C (7189), McIntosh MX110Z tuner/preamp, Fisher KX-200 (7591), Scott 296 (6L6GC), Pilot SA-260 (EL34), Scott LK150 (KT88). A patch panel allows me to connect the speakers to whichever amp(s) I want, and F/F RCA cables enable me to connect an amp to the Oppo, and a power amp to the MX110Z (if I choose to have a pre-amp in the audio chain).
I love classical music, which involves natural instruments performing together live in their intended venue (i.e., symphony hall or opera house). IME, the RF-7II are capable of reproducing this natural sound, when driven by the right tube amps. I experience no listener fatigue when using the right tube amps with my RF-7II. (IME, RF-7II can sound harsh with solid-state amps, and can sound bright with KT88 tube amps.) Recently I’ve been watching/listening to surround-sound Blu-ray video recordings of classical concerts, and I find that RF-7II and two stereo tube amps (one for L&R, one for center and single rear) provide excellent audio quality.
I have no room for La Scala or Belles or Klipschorn or Jubilee – so I use tower speakers in all of my systems. I wish I could hear the RF-7III driven by tube amps, playing hi-res recordings (SACD, Blu-ray, Pure Audio Blu-ray, 24bit/192kHz FLAC) of classical music. What I’m waiting/hoping for is that Klipsch will introduce a new tower speaker positioned above the RF-7III, in light of the fact that they discontinued the Palladium. (I own Palladium P-37F paired with the matching P-312W Subwoofer – also mated with a variety of tube amps.)
For those who think that the RF-7II or RF-7III sound harsh or bright, my advice is to listen to modern high-quality hi-res recordings, and use a 6L6GC or 7591 tube amp.