This is one of my favorite Sonny Clark albums, so I was intrigued when it got a reissue for Record Store Day this November. I'm not a huge fan of tacking outtakes onto the end of an album - I figure the artist chose the takes he/she thought best, so what's the point of listening to variations for days on end. But hey, I was just glad to see a spotlight on this album, recorded shortly before Clark died. The album is one of the few to consist solely of Clark originals. The songs are memorable and the playing superb. The one thing lacking was the sound quality on the original pressings - it was done on the boutique Time label and for whatever reason the SQ was lacking, even on a nice Japanese Teichiku pressing I have. The pressing sounded thin, flat, a little washed out and the bass was almost non-existent. The Tompkins Square pressing corrects that SQ problem, I'm happy to say. Clark's piano and George Duvivier's bass have a much more well-rounded tone, and Max Roach's drumming is actually audible where it wasn't before (again, at least on my pressing, on which it almost sounded as if he were confined to cymbals). While still not perhaps a system-bragging album, it's much more natural sounding than earlier pressings, IME. Tompkins Square says the album was re-mastered using the original tapes. But as we all know that can mean anything, and looking at the Web site of the company that did the re-mastering, it doesn't look they seem a tad digital friendly. I sent Tompkins Square an email saying I'm impressed on how good this new version sounds and asking more detail on the re-mastering process. But even if digital found its way into the chain at some point, I would still recommend this pressing to anyone interested in this album.