The Realistic catalogue confirms the telescoping stylus for the initial years of production. I have the user sheet that came with an RXT6 that confirms the database specs and this partial spec sheet for the RXT5 at least confirms the separation figure.
I suspect that there may have been some changes to later versions of the RXT6, including the cantilever, when the V15RS was added as the top of the line in 1989. The 1989 catalogue lists the RXT6 but indicates separation was reduced to 25 dB and the 30dB claim is applied to the V15RS.
Where can I get a replacement stylus for V15LT?
Have you purchased from them? Are these new? Just wonder if there is a problem with old elastomer suspension.
Are those numbers EUROS?
I recall a recent thread where someone reported success with using a JICO VN35 SAS stylus in their V15LT, but I cannot find it now. I made note of that as the owner of a V15LT myself.
I recall a recent thread where someone reported success with using a JICO VN35 SAS stylus in their V15LT, but I cannot find it now. I made note of that as the owner of a V15LT myself.
Very difficult to sort the wheat from the chaff here; lots of contradictory information.Published specifications on these two cartridges are all over the place. The Shure Discontinued Phono Cartridge and Stylus Cross Reference Chart lists the original styli as Hyperelliptical, which is not correct. The original stylus for the RXT5 is the R15X and the original stylus for the RXT6 is the R16X. Both have .2 x .7 mil elliptical styli. I have not seen a RXT6 with a nude diamond or telescoped cantilever yet. So, I assumed the stylus construction was the only difference between the two. As far as performance goes, I can only tell you my experience. The V15RS stylus (VNSE3HE) does have a Hyperelliptical diamond.
Published specifications on these two cartridges are all over the place. The Shure Discontinued Phono Cartridge and Stylus Cross Reference Chart lists the original styli as Hyperelliptical, which is not correct. The original stylus for the RXT5 is the R15X and the original stylus for the RXT6 is the R16X. Both have .2 x .7 mil elliptical styli. I have not seen a RXT6 with a nude diamond or telescoped cantilever yet. So, I assumed the stylus construction was the only difference between the two. As far as performance goes, I can only tell you my experience. The V15RS stylus (VNSE3HE) does have a Hyperelliptical diamond.
The Shure M92E is a p-mount cartridge and wouldn't be at its best in your SL-D3. Which A-T (I assume Audio-Technica) did you try and didn't like?
AT3311, the cheapo green one. Then I upgraded to a Grado Black1….better but not terrific. I need a cartridge that is smoother, balanced, crisp on the high end, but also more forgiving. I cannot afford a lot of first pressings. The Pickering V-15, the Shure M97, or an upgraded stylus on the Grado to a Green or Blue were all previously considered.The Shure M92E is a p-mount cartridge and wouldn't be at its best in your SL-D3. Which A-T (I assume Audio-Technica) did you try and didn't like?
Any opinions on the clearest high end sound out of all the ones I mentioned? Thanks!Roughly like an M95ED, maybe not as smooth on top. The bodies of the Pro-6 and M95 are the same. The differences are in the stylus.
That's going to depend on the stylus.Any opinions on the clearest high end sound out of all the ones I mentioned? Thanks!
Thank you WualtaRoughly like an M95ED, maybe not as smooth on top. The bodies of the Pro-6 and M95 are the same. The differences are in the stylus.