Welcome to AK, Michael.
I've moved this discussion into a new thread, and I'm hoping you'll give us an idea of how the specs on the new drivers differ from the old, and how that affects the sound.
While advertising your business on AK isn't allowed, I also think you should have the right to comment on a discussion that's mostly about you.
Hi,
The new drivers I use have a frequency response and a sensitivity that is very similar to the original EMIM's. It is not that the original EMIM's are bad....it is just that in the original RS1b design used 7 of them....so when you try to rebuild them without modifying the cabinet there is no way of getting all 7 EMIM's working together and getting the output of each one exactly the same (some are louder than others if you try to use all 7 of them or you have to add resistors to some of them and thus decrease their effeciency). Hence the need for an alternate solution. Once I found the MonSoon EMIRM's I knew I was onto something. (Frankly Brian Chaney of VMPS uses the exact same drivers.) They are just a little bit longer than the original EMIM's thus they extend slightly lower into the midbass. They use a state of the art design with Nyodenium magnets (most RS1B EMIM's have senerium cobalt magnets). They are rivited together and the diaphragm is better protected and less likely to become damaged over time. They are a little thinner thus I need to make a mounting plate to fit them into the old space of the original 7 EMIM's. However, the use of 6, instead of 7, allows me to place them in a series / parallel combination were all have the same exact output...hence the advantage. Finally I connect them directly to the amplifier speaker terminals with no coils or capacitors as crossover componets in between so you get their true sound....pure and simple with no loss in dampening factor, no crossover issues, and very importantly no phase shift.
Next this allows me to rewire the original 4 tweeters also in a series / parallel combination so they also each produce the exact same output as well. Lastly I balance the output of the tweeters with the output of the midranges with a resistor array on the tweeters, and use a 12 dB/Octave passive crossover to protect the tweeters from the lower midrange frequencies.
To finish off the set I make a new solid oak cover for the crossover box on the back of the RS1b MR/HF columns, put my new passive crossover inside, and install new very robust binding posts that are very easy to use.
My redesigned speakers are a true line source and a 3 way design.
I also prefer to replace the stanbdard Infinity active crossover with something better. My choice is the Krell KBX, the Bryston 10B-LR, or the Yamaha D2040. There are others that will work as well such as the RANE but they are clearly not as musical to my ears anyway.
I hope this helps. Please ask any more questions. I would be glad to answer them. I just can not say enough good things about this modification. It is truly the answer to this speakers problems.
Let me say one more thing about the RS 1B's. They look like a 3 way line source speaker but they are really a 6 way point source speaker. This design severly limits this speakers sound. I could go one for pages and pages as to why. Simply put this design limits power handling capability, increases distortion, and destroys the phase charactistics of the original speaker. All these issues are addressed with my 3 way line source redesign.
Also realize there are two groups of Infinity RS1B fans. Those that either never have owned a pair or only recently got them....most of these owners want the stock unmodified version....and those that have owned them for long enough to realize everything I have talked about above is true...it is those people that come to me for my upgrade and leave happy once I modify their previously sacrad speaker. [ Furthermore, my modification can be undone at any time without ever damaging the speaker and no one would ever know I was there - this is a very attractive feature].
Michael