Update time
Well I have done a lot of (design) work on this some of which is detailed in this thread.
http://www.audiokarma.org/forums/showthread.php?t=314369
I started that thread to discuss possible OPTs and true to form I caused it to wander far a field in to areas that should be discussed here.
To bring you up to date I have decided that PP 6BQ5 is probably the appropriate topology for this project. The layout is planned to be that of the common Magnavox console layout with forward firing mains (Mark audio CHR-70) and side firing (sub) woofers. The planned power for the subs is a Bash 300W plate amp. The subs will be crossed around 80Hz where the CHR-70s in sealed cabinet naturally rolls off. Since this is the perfect location for a bass control the subwoofer amp gain will be the bass control and a simple treble control included in the mains amplifier.
I played around with transformer input/phase splitting but decided that the tone control would be much easier in this application if I had SE VAS and cathodyne splitter with the treble control between the two stages. I will save the Cinemag transformers that I ordered and use them for the woofer amp in my main stereo system.
The output stage and driver are planned as UL or pentode mode with Schade FB to the driver and no gNFB. The coupling capacitors on the output of the PI are chosen to give 1st order HP at the CHR-70s natural roll off giving nice 3rd order over all crossover.
The plan was to use undersized sealed enclosures for the subs tuned to begin roll off at the desired crossover frequency and then use jFET 2nd order LP at 30Hz to eq. for flat response down to 30Hz.
The resulting schematic looked something like this...
The 12AY7 was chosen for the VAS for low microphonics. You will notice that the treble control consists of a static treble boost followed by a 250K linear pot and shelving resistor for the treble cut portion. I would entertain ideas for a better implementation here but the simulation looks like it can provide adequate performance. Large boost is not really necessary as the control is intended for tweaking not rescuing a junk recording.
The simulated output is thus.
It is not easy to see in this picture but above the subwoofer crossover point the output is flat within about 0.6dB to beyond the limits of hearing. The actual corner frequency for the treble control varies somewhat from boost to cut but not enough to be a deal breaker. There is more cut than boost available but that is not a bad thing either IMO. Still if there are reasonable ways to improve this and still remain passive...
The mains drivers model thusly.
My informal listening tests are consistent with this graph. The red line indicates the max SPL based on 13W of available power. The output for one channel is about 95dB in the pass band which seems adequate for a semi portable system. To increase it significantly would require much more efficient drivers or an unreasonably larger amplifier.
This simulation gives you an idea of the kind of subwoofer setup I had envisioned. This is a 10" Dayton HO sub in an enclosure of about 1/3 ft^3. Note the roll off is almost perfect for the EQ'ed approach. The red line in this graph is not valid as it represents a 600W input whereas I would only be using about 150W per driver so the total output would be less than shown (of course bigger amp could be used but not that big).
But then I discovered the Dayton High Fidelity 8" Sub... This sub goes low enough in a normal sealed enclosure to allow a totally different approach.
Notice that in a 0.8 ft^3 enclosure this one is only down 3dB at 40Hz and only down about 7dB at 30Hz which is as low as I want to really go with this setup due to limited amount of cone area available.
Well this leads to an interesting possibility which simplifies things somewhat
mike
...to be continued...