Greetings....I thought I would describe as my first post my renaissance of this DYNACO SCA-35 on EBAY I bought for 65 bucks a few years ago.:thmbsp: They sell for ALOT more these days even in sub-standard condition which,fortunately, this particular unit was not. Other than replacing the power caps it worked. Hooked it up via a VARIAC and slowly turned up the voltage all the way when the transformer smoked and blew up!!...NO...just kidding...heh hehe..a tube afficianodo's nightmare....The unit went all the way to full and realized the caps were truly gone. Sound output was not what it should be. Pretty way down. Used the VTVM and found that the voltages were good. 385 volts on the red hot output line... Filaments too were steady. I took out the 2 MALLORY electrolytic power caps and replaced them with my home brew SUPER Joule reservoir of 20, 47uf/450volts caps in seperate banks of 5 for all power taps of the amp. 21.00$ for all these tiny power babies at NEWARK electronics btw.(SEE PICS)
The Super Joule Reservoir, or simply LAKE MARCONI,was mounted on a breadboard and neatly hot-glued onto it and then the entire assembled platform mounted to the chassis with 4 standoffs screwed and tightened into place.
The amplifier still has the original DYNACO labeled output tubes. The tubes measured fine and sound top of the line so there isnt any need to replace them although I am REALLY tempted to buy some exotic juicy replacement tubes....but i can wait...
I didnt bother to change the resistors. I kinda like ALLEN-BRADLEY CARBON FILM and these were really quiet so they have all earned a stay of execution.
CLARITY-CAPS, RELS,JENSENS, MUSE M AND INFINITYCAPS were used throughout.
The original plastic-crappy coupling caps were super tiny compared to their replacements and there was no real room on the chassis to place the CLARITY CAPS down to the circuit board. I used the original large gauge leads of the caps without stripping them and soldered above the circuit board. I neglected to check the dimensions of the cap when I purchased them a while back!. Pretty to look at..
I canned the solid core colored input wire and replaced with 27 gauge-19 strand-silver teflon wire.
All return grounds usually strapped to the power caps via the chassis were individually run to a terminal block which was connected to the front leg screw of the amps power transformer. (See pic below!) Dressing up the beast. The unit is unusually quiet even with gain turned up all the way.
I just ordered a 24 stepped attenuator-DALE RESISTORS 1%- to replace the plastic crappy slider volume pot of time long gone. This will further resolve sound and music nuance. I may just do that for the 3 remaining -treble,bass and balance...but im too lazy.
I replaced the tiny metal front knobs with BIG BLACK RADIO DIALS of yesteryear because it looks great and M U S C U L A R..Never liked the tiny silver knobs for these units- they look wimpy and not emblematic of such a manly amplifier reborn. The original knobs made the amp look like a real weeny.
All switches and pots were tuner cleaned and De-Oxit used as preservative. The MAIN SELECTOR switch was an abomination. Really dirty contacts. Small layer of yellowish film throughout circuit board I need to clean a tad more. Maybe cigarettes??
Since the power coupling caps are too close to the output tubes I corrected this with the placement of a tiny 9 volt CPU fan that vanquishes all heat surrounding the components. You cant even hear the fan...
Sound: Crushing dynamics are effortlessly reproduced. Frequency response is SUPER WIDE. Lots of detail and image placement. You can feel the fluttering of a kettle drum at full WHALLOP!! I have POLK MONITOR ONES with the silver coil Dome tweeter,SEAS MIDRANGE and Passive radiator. Once I turned this amp on I was listening for days. Everything sounds great...ROCK,24 BIT VINYL DUBS,CLASSICAL,TECHNO,DISCO....cannon shots......
Now, I incorporated a cathode bias to this unit EFB circuit with an lm337 chip that sets the bias. Truly , rock bottom bass with no smoosh.defined...can hear the skin on some recordings. There really is no comparison after listening to the unit with cathode bias install. Using a meter, .270 volts is the optimal setting.
The Super Joule Reservoir, or simply LAKE MARCONI,was mounted on a breadboard and neatly hot-glued onto it and then the entire assembled platform mounted to the chassis with 4 standoffs screwed and tightened into place.
The amplifier still has the original DYNACO labeled output tubes. The tubes measured fine and sound top of the line so there isnt any need to replace them although I am REALLY tempted to buy some exotic juicy replacement tubes....but i can wait...
I didnt bother to change the resistors. I kinda like ALLEN-BRADLEY CARBON FILM and these were really quiet so they have all earned a stay of execution.
CLARITY-CAPS, RELS,JENSENS, MUSE M AND INFINITYCAPS were used throughout.
The original plastic-crappy coupling caps were super tiny compared to their replacements and there was no real room on the chassis to place the CLARITY CAPS down to the circuit board. I used the original large gauge leads of the caps without stripping them and soldered above the circuit board. I neglected to check the dimensions of the cap when I purchased them a while back!. Pretty to look at..
I canned the solid core colored input wire and replaced with 27 gauge-19 strand-silver teflon wire.
All return grounds usually strapped to the power caps via the chassis were individually run to a terminal block which was connected to the front leg screw of the amps power transformer. (See pic below!) Dressing up the beast. The unit is unusually quiet even with gain turned up all the way.
I just ordered a 24 stepped attenuator-DALE RESISTORS 1%- to replace the plastic crappy slider volume pot of time long gone. This will further resolve sound and music nuance. I may just do that for the 3 remaining -treble,bass and balance...but im too lazy.
I replaced the tiny metal front knobs with BIG BLACK RADIO DIALS of yesteryear because it looks great and M U S C U L A R..Never liked the tiny silver knobs for these units- they look wimpy and not emblematic of such a manly amplifier reborn. The original knobs made the amp look like a real weeny.
All switches and pots were tuner cleaned and De-Oxit used as preservative. The MAIN SELECTOR switch was an abomination. Really dirty contacts. Small layer of yellowish film throughout circuit board I need to clean a tad more. Maybe cigarettes??
Since the power coupling caps are too close to the output tubes I corrected this with the placement of a tiny 9 volt CPU fan that vanquishes all heat surrounding the components. You cant even hear the fan...
Sound: Crushing dynamics are effortlessly reproduced. Frequency response is SUPER WIDE. Lots of detail and image placement. You can feel the fluttering of a kettle drum at full WHALLOP!! I have POLK MONITOR ONES with the silver coil Dome tweeter,SEAS MIDRANGE and Passive radiator. Once I turned this amp on I was listening for days. Everything sounds great...ROCK,24 BIT VINYL DUBS,CLASSICAL,TECHNO,DISCO....cannon shots......

Now, I incorporated a cathode bias to this unit EFB circuit with an lm337 chip that sets the bias. Truly , rock bottom bass with no smoosh.defined...can hear the skin on some recordings. There really is no comparison after listening to the unit with cathode bias install. Using a meter, .270 volts is the optimal setting.
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