winters860
Super Member
I finally got the Utah HS1-C pair up and running with a completely rebuilt crossover. I put in a new Dayton poly caps, new Mills resistors, and new Dayton L-pads. And they sound… pretty good.
The sound, paired with my Toshiba SA-7150, is pretty nice overall. My first impression was otherwise. I was used to my Genesis 110 and these speakers seemed pretty poor. The highs were weak, even with the L-pad cranked and they lacked the detail I’d come to expect. Clarity didn’t improve until I moved about 8 feet back. I also found out that the tweeters are extremely poor off-axis. This pretty much necessitates bean bag chairs or speaker stands. I’ll cop that the receiver is completely overkill for these speakers that have a maximum rated power handling of 40w and that the listening room is odd at best and requires placing the speakers less than two feet apart.
They sound warm and maybe a bit rounded off or smoothed out. I’m still trying to decide how much I dig it. I’ve heard a lot worse. I couldn’t help but notice on the Wrinkle Neck Mules’ album Pull The Brake that amplified acoustic guitars sound remarkably like amplified acoustic guitars. This perhaps shouldn’t be surprising, since the same woofer made it into some Fender amps. Whether or not I keep them depends on how they do in my post-MAT Electronics order and refoaming shootout. Regardless, I’m already sure these very listenable speakers will be placed with friends whose stereos I’m frequently exposed to.
The cabs are a bit scratched up and there’s the prerequisite drink ring on one, but I still think they’d be an easy refinishing job, as they’re not that far down the line.
I saw a smaller pair of Allied speakers at the St. Francis the other day that I’m sure rolled off the same assembly line as the Utahs and if I weren’t absolutely, completely out of room, I might buy them.
The sound, paired with my Toshiba SA-7150, is pretty nice overall. My first impression was otherwise. I was used to my Genesis 110 and these speakers seemed pretty poor. The highs were weak, even with the L-pad cranked and they lacked the detail I’d come to expect. Clarity didn’t improve until I moved about 8 feet back. I also found out that the tweeters are extremely poor off-axis. This pretty much necessitates bean bag chairs or speaker stands. I’ll cop that the receiver is completely overkill for these speakers that have a maximum rated power handling of 40w and that the listening room is odd at best and requires placing the speakers less than two feet apart.
They sound warm and maybe a bit rounded off or smoothed out. I’m still trying to decide how much I dig it. I’ve heard a lot worse. I couldn’t help but notice on the Wrinkle Neck Mules’ album Pull The Brake that amplified acoustic guitars sound remarkably like amplified acoustic guitars. This perhaps shouldn’t be surprising, since the same woofer made it into some Fender amps. Whether or not I keep them depends on how they do in my post-MAT Electronics order and refoaming shootout. Regardless, I’m already sure these very listenable speakers will be placed with friends whose stereos I’m frequently exposed to.
The cabs are a bit scratched up and there’s the prerequisite drink ring on one, but I still think they’d be an easy refinishing job, as they’re not that far down the line.
I saw a smaller pair of Allied speakers at the St. Francis the other day that I’m sure rolled off the same assembly line as the Utahs and if I weren’t absolutely, completely out of room, I might buy them.

