What was the the last audio-related item you purchased?

A noble experiment with Isoacoustics Gaia 2 feet & matching carpet spike pads for my speakers ended the other day. I had bought the Gaia II as used but in near perfect condition, and had to pay full price for the carpet pads. There-in lies the rub...the carpet spike pads didn't reach any further into the carpet backing nor the thick synthetic pad beneath, so any gain in isolation was negated by the speakers being just as wobbly as the stock M8 x 40 spikes. Those are made from black oxide treated brass, and the tips rounded off too much to penetrate and get to the wide-plank pine subfloor.

My solution was to order some M8 x 50 stainless steel set screws and put a sharp 30° angle on the tips. The longer length is just what was needed to finally get the speakers firmly planted. I will be honest and say that these speakers are so inert that I don't believe the Isoacoustics Gaia II do anything. I sold both the Gaia II and the carpet pads quickly, so the whole experiment cost me about $30. I can live with that.

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The Gaia feet work very nicely on hardwood floors, I don't think they would do anything on carpet even with spikes- the rubber foot needs to be on the floor. Perhaps placing concrete or stone pavers on top of the carpet then the speakers on top of those would give the Gaia feet a chance to do their thing. When I and a buddy put them on my KEF R7 Meta speakers we heard and instant improvement in the tightness of the base.
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I use those as a base for my main system which sits on an antique table where the surface is bowed a bit front to back. This allows the components to sit flat despite the bowing. Just need to be careful when moving them that the spike doesn't come out of the base and damage the wood :eek:.

I also use the aluminum feet below to replace the existing feet on some components to get a uniform look and height between devices.



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I was going to unscrew the tips of the spikes on that amp and put cork pads on the bottoms of them, but the rack shelf its on is bowed just enough I had to adjust one of the spikes a bit. I have an assortment of rubber fert I've bought from 1/2" to 1" tall. Ive used them on various tube amp and preamp builds, but I liked how the spikes looked on that compact ST-35 amp.
I do like those machined feet with the O-rings on thw bottom too. I built an amp and matching preamp that have them.
 
One of the things I added to the last amp upgrades was putting 1/4-inch rubberized sheets under the units. Super traction! They make adding and removing cables and whatnots much easier. The units stay where they are placed.

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A new phone...Samsung Galaxy S26 Ultra.
1. Streams Tidal to my Wiim Pro Plus.
2. The camera with zoom is incredible. Now I can read album spines without having to leave my chair (8 feet away).
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I'm one that just can't deal with reading the spines of the albums sideways. My racks take up more room, but I can flip through them like one does at a record store. That suits me better.

Nice phone though!
 
I'm one that just can't deal with reading the spines of the albums sideways. My racks take up more room, but I can flip through them like one does at a record store. That suits me better.

Nice phone though!
With the phone, you can rotate the image. So that's nice.
 
Bought an Ortofon MC X10 a couple of months ago, mostly for new old LPs. REALLY a nice sounding cartridge. Except for the amount of detail, and the somewhat slower nature of the heavier bonded stylus, it sounds just like the MC X30, which I've had for about 9 months. I'm quite familiar with the X30, and the X10 has the same tonal balance. Overall, I think it's probably the best entry level LOMC available.
 
I learned that an aliexpress brand of Hi-Fi cable that I purchased a few pairs of RCA interconnects from more than a few years ago is now available on scamazon. I picked up a 2ft 3.5mm to RCA cable for my bluetooth DAC for $10 and the length is perfect.

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I will be ordering 2 15ft pairs of RCA cables so I can get my CD player and R2R connected to my receiver soon
 
I bought some more Carnare speaker cable, this time the 4S11G (oxygen free copper), and made more bi-wire cables for the office stereo... except this new batch came out better looking (the outer sheath matches the subwoofer cables) so they went in the main system and the red sheathed ones I made last week with regular 4S11 cable went to the office. On the new set I made the bottom wires 1/2" shorter than the top so they are not all kinked up.

... I have to break the wires in so that they sound their best, so I'll play ONE tune from FM radio and then I'm all set for years of quality listening! BTW, the copper spades are far superior to the rhodium locking bananas I'd been using (volume knob on the Freya+ is now set to 10:30-11 O'clock position for moderate volume listening where before I needed to set it at 12:30 to 1:00 o'clock position) Apparently the spade connectors are letting more current flow.
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What does breaking in wires mean? The copper in them will always have the same number of electrons in each atom whether you use this cable or not. However, making very good connection on each end of the speaker wires is very important. A poor connection may work but cause lack of speaker damping and thus distortion.
 
What does breaking in wires mean? The copper in them will always have the same number of electrons in each atom whether you use this cable or not. However, making very good connection on each end of the speaker wires is very important. A poor connection may work but cause lack of speaker damping and thus distortion.
I believe that was humor.
 
What does breaking in wires mean? The copper in them will always have the same number of electrons in each atom whether you use this cable or not. However, making very good connection on each end of the speaker wires is very important. A poor connection may work but cause lack of speaker damping and thus distortion.
It was a joke... I have seen people on the internet claiming Canare Star Quad 4S11 wire needs 400 hours to"break in" and sound good, while the oxygen free 4S11G only needs 250 hours... silly people, wire doesn't need to break in. :banana:
 
It was a joke... I have seen people on the internet claiming Canare Star Quad 4S11 wire needs 400 hours to"break in" and sound good, while the oxygen free 4S11G only needs 250 hours... silly people, wire doesn't need to break in. :banana:

Let me guess (as a tin ear who connects his speakers using zip cord or homemade twisted pair) - the 4S11G costs a lot more than the 4S11, doesn't it?

-Pat
 
It was a joke... I have seen people on the internet claiming Canare Star Quad 4S11 wire needs 400 hours to"break in" and sound good, while the oxygen free 4S11G only needs 250 hours... silly people, wire doesn't need to break in. :banana:
Back in the 80's there was an article in a Stereo magazine about speaker wire and the writer wrote about Monster Cable and other fancy speaker cables and how people were spending all this money on them.
He finished the article writing about 10 ga. 99% pure copper hookup wire that was being sold at radio shack by the foot off the spool. He wrote that it was pretty pure copper and pretty cheap compared to the fancy speaker wire being sold. So I went to Radio Shack and checked it out.
And it was pretty cheap. So I bought enough for a couple 15' pairs.
I used that wire for years. Since the wire only came with a red covering I had to mark the ends.
 
Let me guess (as a tin ear who connects his speakers using zip cord or homemade twisted pair) - the 4S11G costs a lot more than the 4S11, doesn't it?

-Pat
I bought the cables from Performance Audio in Salt Lake City: 4S11 is $1.70 a foot, 12 feet cost $20.40. The 4S11G was $2.31 a foot, 12 feet cost me $27.72-- still pretty cheap for decent wire.
 
Back in the 80's there was an article in a Stereo magazine about speaker wire and the writer wrote about Monster Cable and other fancy speaker cables and how people were spending all this money on them.
He finished the article writing about 10 ga. 99% pure copper hookup wire that was being sold at radio shack by the foot off the spool. He wrote that it was pretty pure copper and pretty cheap compared to the fancy speaker wire being sold. So I went to Radio Shack and checked it out.
And it was pretty cheap. So I bought enough for a couple 15' pairs.
I used that wire for years. Since the wire only came with a red covering I had to mark the ends.
I used that cable back in the 80's... it eventually turned green all the way through (after about 12 years)
 
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