Nice but pricey
Thanks, I'd look into that more but I am currently trying to figure out how to buy a Hafler amp and preamp I just found for sale locally, need to focus my funds on that right now
The Hafler amps were a great choice when they were in current production. We sold quite of few 500 kits and they all tested very well when finished by their owners. Factory built units were great. If people couldn't afford Mcintosh amps we always recommended Hafler amps. Some preferred Marantz or Yamaha or Even B&K amps later on. I always thought NAD and Hafler were the best dollar values.
This was supposed to post in the previous entry but somehow ended up as a separate post, now I don't see how to delete it
Thanks, having an issue with the right channel but hopefully the shop I bought it from will sort that out. Seems to be in the preamp. My Fisher Studio Standard 2120 has a preamp out(ish); strickly speaking they call it "Control (output), and Power (input)" respectively. Brought that in from the woodshop, time to see if the problem goes away. Hopefully I'm doing this right, never really played around with loops much more than tape loops. Assuming loops are loops?You can't lol, only a mod can do that
nice amp
Thanks, having an issue with the right channel but hopefully the shop I bought it from will sort that out. Seems to be in the preamp. My Fisher Studio Standard 2120 has a preamp out(ish); strickly speaking they call it "Control (output), and Power (input)" respectively. Brought that in from the woodshop, time to see if the problem goes away. Hopefully I'm doing this right, never really played around with loops much more than tape loops. Assuming loops are loops?
no, tape loops are a fixed output, and why it's not feesable to utilize them for a powered subwoofer, power amp, etc.
How about going from Tape Out on a receiver to Aux In on an amplifier/preamp?

I Had a Pioneer receiver that had a preamp out, when using that, that was all the receiver could be used for, the receivers amp and the preamp couldn't be used at the same time. Getting the signal from the tape out would allow the use of a signal from a single source to a receiver in one room and another receiver in a different room. That's one reason why being able to do that would exist.It would depend on the output of the tape out and input sensitivity of the aux in, there's a reason some have pre out/main in, and these Kenwoods were designed to be utilized in this manner. They have a "normal/separate" swich on the back with a lock out that needs be removed if to be used in this manner.
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I've never owned a receiver, what you profess may work, but if so it makes one wonder why would amps like this exist if so?
I understand how you want to be able to use VU meters because I have to same interest but personally I don't think it's possible,to many variables involved.
I did buy a Radio Shack Audio Power Meter to get a ball park idea of output power but after using it I question it's accuracy.
I think the only accurate way of knowing when an amp hits the point of clipping is what my tech did with 1 of my amps. Hooked up an oscilloscope to determine when the signal starts to distort and then backs the volume down till it's a clean signal.Then measured the voltage at output. Took that number and did some math using a formula he knew. He was able to tell me,my amp rated at 60 watts x 2 @ 8 ohms can produce 83 watts @ 8 ohms and 129 watts @ 4 ohms before it starts to clip.
The VU meters on the amp show percent of power.
Problem is,unless I measure the volts at output I have no idea when the amp hits that 83 watts number unless my ears can pick up on the distortion after I exceed the number.