energyandair
Active Member
I just bought an Audio Design Model One preamp, and a matching Model 20A Power amp circa 1981; both in great condition and complete with Operating/Service manuals and boxes.
The design is simple, the build quality appears excellent and there are some unusual design features. (Eg Provision for externally interchangeable phono cartridge loading capacitors)
The appearance is nicely understated. The front panels are milled from 10mm (3/8”) aluminum and then painted with an extremely durable grey finish. From the color, you might think they were NAD but the build and sound are at a different level. The metal control knobs are recessed into the face plate with the finest tolerances I’ve seen on audio equipment.
They have far fewer switches and controls than was normal practice in 1981, and 26 years later this might be one of the reasons that they sound so good. Internally it appears that they used widely available components with tight tolerances plus a few individually matched components where they couldn’t get tight enough tolerances off the shelf.
The seller bought them new from the designer, Howie Brown, who he knew from the University of Waterloo.
The manuals are very useful but have a few inconsistencies and I could find almost nothing about the amps on the net. I did however find a reference in the Stereophile master index “Audio Design 20A (Holt) VI-6”. If anyone can send me a copy of the article, I would really appreciate it.
So far I find them more than good to listen to with silent background, good dynamics, clear highs, good on voice, strong clear bass and no listening fatigue. I’ll report again when I’ve had a chance to listen over a longer period and see how they stack up against my other components.
David
The design is simple, the build quality appears excellent and there are some unusual design features. (Eg Provision for externally interchangeable phono cartridge loading capacitors)
The appearance is nicely understated. The front panels are milled from 10mm (3/8”) aluminum and then painted with an extremely durable grey finish. From the color, you might think they were NAD but the build and sound are at a different level. The metal control knobs are recessed into the face plate with the finest tolerances I’ve seen on audio equipment.
They have far fewer switches and controls than was normal practice in 1981, and 26 years later this might be one of the reasons that they sound so good. Internally it appears that they used widely available components with tight tolerances plus a few individually matched components where they couldn’t get tight enough tolerances off the shelf.
The seller bought them new from the designer, Howie Brown, who he knew from the University of Waterloo.
The manuals are very useful but have a few inconsistencies and I could find almost nothing about the amps on the net. I did however find a reference in the Stereophile master index “Audio Design 20A (Holt) VI-6”. If anyone can send me a copy of the article, I would really appreciate it.
So far I find them more than good to listen to with silent background, good dynamics, clear highs, good on voice, strong clear bass and no listening fatigue. I’ll report again when I’ve had a chance to listen over a longer period and see how they stack up against my other components.
David